I can’t find any information whatsoever about this duo, Jack and Betty, who seem to be lost to history at this point. And it also seems like this is their only record: TEEN 107A, “Satisfied Mind” and 107B, “This Is My Story”.

From 1955, “Satisfied Mind” made a moderate-sized splash as a popular jukebox rendition of this Red Hayes & Jack Rhodes C+W classic which has been covered many times since it was first recorded that same year. Even Jeff Buckley, the 1990s NYC songbird who tragically died way too young at 30yrs old, did a cover of this tune, which is really amazing, and it is available on the Columbia Records release “Live at Sin-E” (Legacy Edition.) This, however, is my favorite take of this beautiful secular hymn. Jack plays the rhythm guitar and Betty plays the organ, and they sing in harmony virtually the whole time. There is also an unknown electric guitar player plucking some great sounding lead lines, wish I knew who that was… The simplicity of the arrangement, the passion in the playing and the singing, and just one hell of a lyric, make for a powerful, haunting piece of Americana.

 

 

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A legendary side man saxophonist for the likes of Aretha Franklin, Freddie Hubbard, Carl Perkins and Gladys Knights and the Pips, Jimmy Coe already had a previous recording career in the 40s and 50s and got his start playing in Jay McShann’s band sharing seats with the everlasting Charlie “Bird” Parker.

“The Jet,” on the small mid-50s Chicago label States Recording Company, is a great little groovy B3 Hammond organ and saxophone jammy-jam, and a relentless 2-and-a-half-minute flight of fancy. This virtually unknown number makes its way into many of my 78s set out in the wilds of nighttime party gigs and clubs.

Happy New Year 2019!

 

Jimmie Coe - The Jet

This version of Jelly Roll Morton’s classic “Wild Man Blues” by jazz clarinetist Johnny Dodds (1892-1940) and his Chicago Boys is my absolute favorite ever; its melody is a New Orleans blues if ever there was one, bub. He recorded this tune several times in the course of his career, all different takes with different approaches to the solos and the arrangements. This one is from a 1938 New York session and features the New Orleans legend towards the very end of his life still playing with so much energy and so much feeling for a song which was “a hit” for him and which he presumably played very often until his premature end. He died in 1940 leaving a tremendous legacy of music and recordings, and this is one of those songs which I will always love and never forget.

Thank you, Mr. Dodds, for this little heart & joy that you left the world.

Charlie Shavers (tpt) ; Johnny Dodds (clt) ; Lil Armstrong
(p) ; Teddy Bunn (g) ; John Kirby (bs) ; O’Neil Spencer (dr)

 

 

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