Max Miller is a long-forgotten Chicago piano man (and vibraphoneman) from the 1940s and 50s. Virtually everything he ever recorded and released came out in the 50s, and he wasn’t particularly prolific. Besides one album for Columbia in 1951, Piano Moods CL-6175, he released a handful of interesting and adventurous singles on a couple tiny Chicago 78rpm labels: L.I.F.E. and Gold Seal. And those singles sold very few copies, so finding any of his sides is rare. I have four of his L.I.F.E. 78 rpm singles and they all show a musician influenced by the jazz sounds of players like Dizzy Gillespie and Sidney Bechet, and also classical music giants, like Stravinsky and Bartok. He had a long career and played with the likes of Bechet, Coleman Hawkins, Chubby Jackson, and even played vibes with Benny Goodman for a spell.

Miller lived a long, interesting life, and eventually even opened up his own music club in 1956, “Max Miller’s Scene”, on the 2100 N. Clark block of Lincoln Park, on the exact site of the 1929 Valentine’s Day Massacre!

“(Jump for Al Benson) Lumbar Ganglion Jump” is a quartet recording from 1950 with his regular band during that time, and boy do they pop out a doozy of jazz jump:

Miller, piano

Earl Backus, guitar

Remo Belli (founder of Remo drum heads), drums

George Stahl, bass

 

 

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